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Please note that this review is based on use on the K200D with a Katzeye split-prism focusing screen installed. With the standard screen this lens will be considerably harder to focus properly when close to maximum aperture.
This lens is the newest addition to my collection of old (mostly M-series) Pentax glass. I hadn´t planned on getting it but I had wanted a fast 85mm & I saw this one for a decent price (129 GBP), which makes it the most expensive manual lens I own. The build quality is very good, typical M series, and the focusing ring, which was a little stiff from lack of use when I got it, has loosened up to an almost perfect amount of resistance. The big front element, which barely fits within the 49mm filter thread, also makes it look very nice on the camera.
Looking at reviews of Pentax 85mm lenses, this one seems to be the runt of the litter. It is often criticised for it´s lack of sharpness when compared to K-series, older Taks & also newer versions. Bear in mind that any Pentax 85mm lens produced after this model is a * lens, meaning that it will be of superb optical & build quality, and the price will reflect that. Many people rally to the defence of this lens, even claiming that it is sharp wide open. Just remember that sharpness can be subjective. Although I do not own others to compare myself, many others have done, and all seem to conclude that this lens is the slowest & least sharp Pentax 85mm. But in it´s defence, old Tak 85 1.9 or 1.8 lenses in the same condition sell for double, need an adaptor and are larger & heavier.
I do not usually use this lens wide open (except for Brenizer method photos), although I´ve done some tests and I would do it if I had to to get the shutter speed or DoF necessary. Most of the time I use it at 2.8, where it is very good, and even at f4 at this focal length you can isolate a subject from it´s background. The other problem with this lens at F2 is the considerable blue fringing, which is apparent in almost every photo, even when contrast is not very high. Thankfully, 80% of this is gone by F2.8.
However, as others have commented and many people will already know, speed & sharpness are not the only qualities in a lens, and it is often these mysterious other qualities that are why people love it. There is the “3D effect”, though this is claimed for a great many lenses. I believe this effect to be down to a combination of DoF, good contrast & good colour. This lens excels in all of these factors, and that´s why it´s such a good lens. The images from it are never flat or dull, even if they are of uninteresting subjects. Bokeh is very good and I´ve never seen any bad examples in my photos or others'.
I have removed one point for the softness & colour fringing wide open, and for not having a aperture click between F2 & F2.8 (why do they do this???).
If I ever come across a K85 for a reasonable price I will most likely get it, then assess the two & make a decision on which to keep, as these lenses in good condition have already lost any value they´re going to lose, and re-selling will not lose you anything.
In summary, this lens has excellent image quality with a couple of caveats. If you want it for shallow depth of field to isolate a subject it's a good buy, if you want it to stop down for great telephoto landscapes or cityscapes then it's great too. On extension tubes it also performs exceedingly well in macro work.
A few examples are below.
14/01/2016 - updated this review with newer (better) photos. I'll also add that on a K3 it isn't so hard to focus, even without a Katzeye, and on my little Fuji -M1 (like all old manual lenses) it works like a dream.
01/09/2020 - update to say that I recently compared this lens to the SMC DA 70mm f/2.4 Limited wide open as a favour to another forum member. The result was that there isn't a huge amount in it. The 70mm is sharper with less fringing but the 85mm holds it's own and wide open is sharper than I originally thought, but accurate focus is absolutely critical to getting that sharpness. The comparison shots can be found here: https://www.flickr.com/photos/jonathandmacdonald/albums/72157714449826816
On film:
Agfa 200, Edin April 2014, K1000 015a by Jonathan MacDonald, on Flickr
NY Gold 400 023a by Jonathan MacDonald, on Flickr
To take Brenizer method stitched panoramas with shallow depth of field:
Brenizer 14th July 2015 by Jonathan MacDonald, on Flickr
At f/4:
Wet leaf by Jonathan MacDonald, on Flickr
Unknown aperture but at minimum focus distance:
IMGP6636a by Jonathan MacDonald, on Flickr
At f/2.8:
IMGP7275a by Jonathan MacDonald, on Flickr
Unknown aperture:
The Arch by Jonathan MacDonald, on Flickr
Playa de las catedrales, Galicia by Jonathan MacDonald, on Flickr
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